Heresy

"From all these roles, uses, arguments, and justifications one large and undisputed truth emerges: art is power. It influences the mind, the nerves, the feelings, the soul. It carries messages of hope, hostility, derision, and moral rebuke. It can fight material and spiritual evils, and transmit the ideals of a community now living, long past, or soon to be born. In a word, Art is deemed universally important because it helps men to live and to remember.

But in saying that these are truths, we are saying also that Art is dangerous. It is dangerous, first, because all powerful things can be dangerous; and it is dangerous also because while we tend to venerate art as one great and good thing, its various uses are most often antagonistic: art can dignify and exalt the civilization that gives it birth and also weaken.and destroy it. Art can serve the Revolution or can detach an individual from the struggles of his age, making loyal citizenship appear to him as futile and perverse as revolutionary action."

- pg. 21 "Why Art must be Challenged", from "The Use and Abuse of Art", The A. W. Mellon Lectures in the Fine Arts - 1973, The National Gallery of Art, Washington D.C., Bollingen Series XXV - 22, Princeton University Press 1974

Jacques Barzun

Agesander, Athenodorus, Polydorus: Laocoön, c. 1st century B.C.E.
[found in 1506]

The unearthing of the Laocoön, virtually the most influential piece of art in recorded history, utterly changed whole systems of thought derived from Neo-Platonism, wherein God's perfect creation was reflected in the harmonious aesthetics copied from ancient models. Laocoön was a victim of an unjust god's wrath, and became a potent symbol to Mannerist and Baroque artists.
Reliquary ©Scott Bodenheimer, September 12, 1997, revised November 25, 2003,d
e love Neo-Platonism Neo-Platonic Botticelli PrimaveraMercury Graces Charities V